Blurred hero

From humble beginnings in his Eastern European Macedonian village of Strumica to packing out festival dance floors across Europe as the leader of his Aguševi Orchestra, trumpet prodigy Džambo the “Funky Tiger of Macedonia” has arrived with his new album “Brasses For The Masses”. Džambo has risen to become the most widely celebrated Macedonian Balkan musician since the late Esma Redžepova. Born in Northern Macedonia in 1987, his family had been musicians for generations and his father, Džemal, worked in local orchestras. In the mid 1990s little Džambo became seriously interested in playing trumpet. Every day he insisted on accompanying his father to rehearsals where he would observe and listen. He dreamed of owning a trumpet, but his family had been reluctant to give him one knowing how tough a musician’s life can be. Yet the conductor of Džemal’s orchestra took pity on the little boy who studied the musicians with such intensity and gifted Džambo his first trumpet. From then on there was no stopping him – with his eyes on the prize, the boy from Strumica set off about becoming the greatest trumpeter in the Balkans! Džambo’s sound developed as a result of his varied musical taste. While his initial musical interest was deeply rooted in the Balkan brass band genre of the southern Balkans, young Džambo kept his ears open, listening to music from both West and East – appropriate for a Macedonian youth in the former Yugoslav republic - a historical meeting point (and melting pot) for Ottoman and Orthodox cultures. Džambo listened to Jazz and Turkish, Funk and Soul music, movie soundtracks and classical, all the time using his Gypsy heritage as the roots from which he developed his own distinctive trumpet style and sound. Heralding the future of the Balkan brass sound, “Brasses For The Masses” is a reflection of Džambo’s vision of Balkan brass music. Across the albums twelve track journey Džambo pays respect to the regional roots of the genera, whilst combining hard grooves and uplifting melodies, bringing the music to the dancefloor of a younger generation.

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DateCity, CountryVenue (Tickets)

Reviews

UK - Songlines

The potent urgency and exemplary skill of classic Romani brass band culture writ large, bountifully infused with styles ranging from Delta blues to ska.

US - RootsWorld.com

The difference here isn’t in how well they play, but what they do with the music. Take the title cut, for instance. It kicks off the album in a powerful blast of very soulful horns that could have wandered over from a vintage Tower of Power recording session to explode on the track, running into hip-hop verses (in English, notably) and a very poppy, bright sound. It’s a way of laying out the stall, of saying we’re here, we’re in your face. Deal with it. And as that, it’s very, very effective.

RS - Etnoumlje

"...neparni ritmovi i melodijski slapovi su bras posebnost koja je sa Orkestrom Aguševidovedena do virtuoziteta....U Brasses For The Masses je utkan sam život, bez derivata i nepotrebnih primesa....Reči su suvišne, muzika Orkestra Džambo Aguševi je riznica bleh čudesa."

THA - Bangkok Post

Although I have only heard a couple of tracks, the album by the Dzambo Agusevi Orchestra, Crazy Horse, is rapidly becoming a favourite sound. This band plays Mecedonia brass music with an intensity that is reminiscent of the music of Bulgarian master Ivo Paposov. I have a weakness for great brass music, and bands like Dirty Dozen Brass Band (New Orleans), Gangbe Brass Band (Benin, Central Africa), Bollywood Brass Band and even Japanese Chindon music have appeared in this column over the years. You can add Dzambo Agusevi to the list; play loud!

IT - Blogfoolk

Dopo e accanto ai matrimoni e ai festival, “Brasses for the masses” spiana la strada delle classifiche discografiche e radiofoniche a questi ottoni sfavillanti. Scegliete pure un brano a caso, funzionano tutti. Ma prima, assicuratevi ci sia spazio per muoversi e ballare…

E - Mondo Sonoro

Con este "Brasss for the Masses" de explícito y clarificador título, el músico se hace ayudar por el incombustible productor Henry Ernst (Fanfare Ciocarlia, Adrian Raso), y apuesta sobre seguro a la hora de mostrar su querencia por el funk discotequero, el jazz, los sonidos orientales (“Taksim Dream”), los homenajes contemporáneos (el “Şıkıdım” de Tarkan, y un par de piezas de Mathias Duplessy) y, por supuesto, las raíces familiares (“Sa-sa Cocek”). Y lo hace democratizando el género, y sirviéndolo en bandeja a la masa, aunque, eso sí, a partir de dignos ejercicios de virtuosismo y calidad contrastados, marca de la casa.

HU - ekultura.hu

Amikor megkaptam a kiadó levelét, amiben arról értesítettek, hogy 2020. március 20-án megjelenik a makedón Džambo Aguševi Orchestra új albuma, az jutott eszembe, hogy az utóbbi fél évben ez már a harmadik balkáni rezes formáció, akik új anyaggal jelentkeztek – legnagyobb örömömre. Ugyanis nem győzőm eleget hangoztatni, mennyire szeretem ezt az energikus, életigenlő muzsikát. Legyen szó koncertről, stúdiófelvételről – minden esetben átjön az a plusz, amiért érdemes elindítani a lejátszót.

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