Balkan music tradition, oriental Gypsy pop, Catalan rumba, reggae and even Romanian manele.
In Romania, the most famous and the most gifted musicians live in two towns. In Clejani, just south-west of Bucharest, the violonists, cymbalists, double bass players and other accordion players notably formed the extraordinary Taraf de Haïdouks. In Zece Prajini, north-east of the capital in Moldavia, you can find the greatest density of wind players per square meter, including the brass players of the famous Fanfare Ciocarlia. It is in these two lost villages, in the dust, the mud or the ice, according to the season, that you find the crème de la crème, the kings of the schmekers*, the instrumentalists who are half-genius, half-rascal, capable of stirring up a wedding party with a single solo launched at supersonic speed. Knowing this, how do you find THE great Gypsy group, a sort of Balkan equivalent of the Memphis Horns with the rhythm section from Muscle Shoals, these two being the gold standard of soul music, combining power and finesse, groove and virtuosity ? It's easy, just bring together the musicians from Clejani and of Zece Prajini! This is the magic equation, the stroke of genius, which guarantees you an orchestra - a taraf - which is hot as coals and led by the violonist Ionica Aurel. And to add salt to this mixture, invite guest singers such Sorin Constantin, Jony Iliev and Dan Armeanca, the king of the manea, forerunner of what was to become the manele, the Romanian pop of the 21st century. The Mahala Raï Banda, supergroup of Roma pop. Appearing at first straightforward, combining the musicians from Clejani and Zece Prajini nevertheless proved to be a lot more complex. A good ensemble is not put together as easily as a martingale in bingo. There is first of all a history of encounters and of never-ending balls spent in Bucharest's wedding bands. According to the tastes and the budget of the future spouses, Roma or gadjés, according to the affinities and the complementarity of the musicians, the lautari reach the big city and form and dissolve tarafs with a variable geometry capable of playing everything : traditional Romanian music, the Gypsy repertoire of the last century, manele or vertiginous adaptations of Abba or Madonna.
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